Beasts of the Southern Wild is the kind of movie that speaks to every individual’s basic need to love and be loved. “It’s a story about a 6-year-old girl whose father is dying,” one might say, to succinctly capture the storyline of Beasts, which won awards at last year’s Cannes and Sundance film festivals, and was featured during the American Black Film Festival in Miami last week.
But that would be a
disservice to the complex relationship Hushpuppy (played by Quvenzhané
Wallis) has with her father Wink (Dwight Henry).They live in what looks
like a tenement yard, in an area of the Louisiana Delta called “The
Bathtub,” where storms have ravished the land. But they and their small
community refuse to leave their homes. Then a storm wipes out their
meager possessions and they have to move on.
In Benh Zeitlin’s and
Lucy Alibar’s script, we see a man, Wink, who doesn’t know what to do
with a little girl, so he raises her to be his son. He also knows he’s
near his end and tries to teach his daughter all of the things he thinks
she needs to know to survive. Such as how to catch a fish with her
hands, and that she has to be strong. He keeps telling her, “When I’m
gone, you’re going to be king!”
ACE FILMMAKING
Zeitlin, who also directed and produced the film, chose Wallis from the
4,000 little girls of varying ethnicities who came to audition for the
film, based on her presence. He chose Henry, who owned the Buttermilk
Drop Bakery across the street from where Zeitlin’s casting office is
located, because he thought he’d be perfect for the role.
Beasts is Wallis’ and Henry’s first film; they’ve never acted before. In
fact, most of Zeitlin’s cast and crew were new to filmmaking, which is
odd because the film has so much life and talent. This is a testament to
Zeitlin’s capability as a great filmmaker.
Wallis has the kind of talent that most actresses in Hollywood wish they
had. She makes her audience want to wrap their arms around her. You can
see the talent in Wallis’ eyes, as they change from fiercely defiant to
a scared little girl, wishing her father would just pick her up and hug
her.
It’s heartbreaking when he doesn’t, and Hushpuppy finds herself calling
to the wind for her mother, “Mama!” Her calls painfully go unheard and
Hushpuppy again has to suffer the kind of loneliness no child should
feel.
FATHER LOVE
Wink is a man trying to raise his daughter in the only life he knows. He
never really tells Hushpuppy, or the audience for that matter, where
her mother is. He’s content to paint the picture, though, that
Hushpuppy’s mother is the perfect woman, who loved Hushpuppy so much,
she gave herself to the sea. Hushpuppy believes these stories. Why would
daddy lie?
Wink obviously loves his daughter, but he never quite learned how to
show it. So his expressions of love come out more as a man toward his
best friend than the tenderness most fathers would show their daughters.
Despite Wink’s awkward style of parenting, Hushpuppy matures quite
quickly into a very strong-minded little girl, taking life’s hard times
and defiantly staring them down until they submit to her will. Hushpuppy
has become the strong person Wink wanted her to be — but at the cost of
loss, and life as a nomad.
Throughout the film there’s a question of why Wink chose to raise his
child in a wasteland. According to Zeitlin, he wanted to tell the story
of the people who choose to stay in their homes after they’d suffered
the destruction of hurricanes. These people establish their own
community and culture filled with beer and the Cajun delights of the
sea, while sending their children to “school” where their “teacher”
teaches them life lessons and survival skills rather than how to read
and write.
STRONG TALE
Although Hushpuppy’s upbringing is precarious, to say the least – she
lives in her own house that she ends up burning down out of anger – she
is growing to be the kind of person who is strong and caring. She tells
her audience, in her own childlike understanding, that she knows
something about living a hard life, but her father taught her to be
strong and keep moving, and that’s what she’s going to do.
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